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Exactly 85 national pavilions are presenting exhibits at the Venice Biennale this year, while the Central International Exhibition – Viva Arte Viva – curated by Christine Macel, features 120 artists from 51 different countries.At the focus of the theme is art and artists: art as the last fortress; art as a garden that must be tended in this world overrun with conflict and distress.John Miller “Forbidden Thought Projected Onto A Sheet Of Crane & Co., Premium Pearl-White P58111, 8.5 x 11”, 32 lb, 100 % Cotton, Bond”, 2009 38 x 32 cm (gerahmt) Photo: Simon Vogel " rel="next[137]" class="colorbox odd "John Miller “Double Date”, 2001 PA-System, Mikrophon, 2 Lautsprecher, Teppich PA- system, microphone, 2 speakers, carpet Installationansicht “Visionäre Sammlung Vol. 1988 Artists´ Fellowship, Art Matters, Incorporated Artists´ Fellowship (Painting), New York Foundation for the Arts. The International Art Magazine., December 2006-January 2007, S. 1″, 2005/2006 Haus Konstruktiv, Zürich " rel="next[137]" class="colorbox even " JOHN MILLER geboren / born 1954 in Cleveland/Ohio lebt und arbeitet / lives and works in New York and Berlin Homepage von John Miller AUSBILDUNG / EDUCATION 1979 MFA, California Institute of the Arts, Valencia, California. 1982 Artists´ Space Emergency Grant (Cave Canem book project) Hallwalls Grant (Cave Canem book project). “Dan Graham, John Miller”, Galerie Christine Mayer, München. “do it (adelaide)”, University of South Australia / Anne & Gordon Samstag Museum of Art, Adelaide. A sceptical approach to exhibition making”, Artspace, Auckland. Petersburg Paradox”, Swiss Institute of Contemporary Art, New York. “Call of the Mall”, Hoog Catharjine and Utrecht Central Station, Utrecht. Sonic Youth etc.: Sensational Fix, Centro de Arte Dos de Mayo, Madrid, Spain/ Life, Saint-Nazaire (Frankreich) / Museidon, Bolzano, Italien / Malmö Konsthall, Malmö, Sweden Middle Man, Three´s Company, New York / Galerie Max Hans Daniels, Berlin. Filmschönheit, Galerie Mezzanin, Vienna / Galerie Gisela Capitain, Cologne / Greene Naftali Gallery, New York. 2009 “Amerikana”, NGBK – Neue Gesellschaft für Bildende Kunst e. “Miete Strom Gas oder Brasilien Wax”, quartier21.freiraum, Wien. “Sonic Youth etc.: Sensational Fix”, KIT Kunst im Tunnel, Düsseldorf. “Tales of the Grotesque”, Karma International, Zürich. Vito Acconci´s Public Sculpture,” or “Why Don´t We Do It in the Road? “When Activism Becomes Quietism,” Acme Journal, No. “Die Deutschen muhen sich ab,” Zitty Stadtzeitung (2﷓15 April): 218﷓220.

Splinter Reeds Kronos Quartet Purchase Tickets Commissioned by Vajra Voices, this work is a collection of songs setting the poems of 12th Century Taoist Immortal Sun Bu'er.

“Social Portraits”, Galerie Meyer Riegger, Karlsruhe. 2012 “Suburban Past Time”, Metro Pictures, New York. 2010 “A Holiday in Other People’s Misery”, Galerie Christian Nagel, Köln. 2016 “Sex Appeal of the Ironic”, with Richard Hoek, Galerie Johann Widauer, Innsbruck. “No Games Inside the Labyrinth”, Galerie Barbara Weiss, Berlin. “NYC 1993: Experimental Jet Set Trash and No Star”, the New Museum, New York, New York. “Empire State: Art in New York Today”, Palazzo delle Esposizioni, Rome. Michael Beutler & Friends, Galerie Christian Nagel, Antwerpen. 1992 Mike Kelley, Los Angeles: Art Press; excerpted in Bomb, No.

“New Realities”, Patrick Painter Gallery, Los Angeles. 2011 Wolfgang-Hahn-Preis 2011, Museum Ludwig, Köln. “Richard Hoeck John Miller: Grotesque”, Galerie Johann Widauer, Innsbruck. GRUPPENAUSSTELLUNGEN / GROUP EXHIBITIONS 2017 “After the Fact. 2015 “Painting 2.0: Expression in the Information Age”, Museum Brandhorst, München. Expo 1, New York: Dark Optimism, Mo MA PS 1, Long Island City. curated by_vienna 2010: Albert Oehlen, Galerie Mezzanin, Wien. “Regift”, Swiss Institute – Contemporary Art, New York. “The Invisible Fourth Wall”, Sutton Lane London, London. Expeditionen in die Dunkelzone”, Kunsthalle Wien, Wien. “The Forces of Nature Will Rise Up to Defeat the Madman”, Monya Rowe Gallery, New York. 38 (Winter): 26﷓31; anthologized in Between Artists: Twelve Contemporary Artists Interview Twelve Contemporary Artists (Los Angeles: Art Press, 1996).

He also wrote that Rock’n’Roll lyrics were some sort of a “secret code of teenagers”.

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